THE LESBIAN LOVE STORY YOU’VE BEEN DYING TO READ.

Ash Persaud is about to become a reaper in the afterlife, but she is determined to see her first love Poppy Morgan again, the only thing that separates them is death.

Car headlights.

The last thing Ash hears is the snap of breaking glass as the windscreen hits her and breaks into a million pieces like stars.

But she made it, she’s still here. Or is she?

This New Year’s Eve, Ash is gets an RSVP from the afterlife she can’t decline: to join a clan of fierce girl reapers who take the souls of the city’s dead to await their fate.

But Ash can’t forget her first love, Poppy, and she will do anything to see her again… even if it means they only get a few more days together. Dead or alive…

NOT EVEN DEATH CAN TEAR THEM APART.

** Note: since it isn’t clear in the description, Ash is Indo-Guyanese

BELIEVING IS DANGEROUS…

Darcy Patel is afraid to believe all the hype. But it’s really happening – her teen novel is getting published. Instead of heading to college, she’s living in New York City, where she’s welcomed into the dazzling world of YA publishing. That means book tours, parties with her favorite authors, and finding a place to live that won’t leave her penniless. It means sleepless nights rewriting her first draft and struggling to find the perfect ending… all while dealing with the intoxicating, terrifying experience of falling in love – with another writer.

Told in alternating chapters is Darcy’s novel, the thrilling story of Lizzie, who wills her way into the afterworld to survive a deadly terrorist attack. With survival comes the responsibility to guide the restless spirits that walk our world, including one ghost with whom she shares a surprising personal connection. But Lizzie’s not alone in her new calling – she has counsel from a fellow spirit guide, a very desirable one, who is torn between wanting Lizzie and warning her that…

BELIEVING IS DANGEROUS.

In a brilliant high-wire act of weaving two epic narratives – and two unforgettable heroines – into one novel, Scott Westerfeld’s latest work is a triumph of storytelling.

In turns both fantastical and familiar, this graphic short story collection with South Asian roots is immersed in questions of gender, the body, and existential conformity. The eight delightfully eerie stories in Apsara Engine are a subtle intervention into everyday reality. A woman drowns herself in a past affair, a tourist chases another guest into an unforeseen past, and a nonbinary academic researches postcolonial cartography. Imagining diverse futures and rewriting old mythologies, these comics delve into strange architectures, fetishism, and heartbreak. Painted in rich, sepia-toned watercolors, Apsara Engine is trans illustrator Bishakh Som’s highly anticipated debut work of fiction. Showcasing a series of fraught, darkly humorous, and seemingly alien worlds—which ring all too familiar—Som captures the weight of twenty-first-century life as we hurl ourselves forward into the unknown. 

Heated competition leads to even hotter romance in this YA summer rom-com for fans of Sandhya Menon, Emma Lord, and Wibbroka.

Seventeen-year-old, high-achieving Kavya Joshi has always been told she’s a little too ambitious, a little too mouthy, and overall just a little too much. In one word: besharam.

So, when her nemesis, Ian Jun, witnesses Kavya’s very public breakup with her loser boyfriend on the last day of junior year, she decides to lay low and spend the summer doing what she loves best–working part time playing princess roles for childrens’ birthday parties. But her plan is shot when she’s cast as Ariel instead of her beloved Belle, and learns that Ian will be her Prince Eric for the summer. [Cue the combative banter.]

Exhausted by Kavya and Ian’s years-long feud, their friends hatch a plan to end their rivalry by convincing them to participate in a series of challenges throughout the summer. Kavya is only too eager to finally be declared the winner. But as the competition heats up, so too does the romantic tension, until it escalates from a simmer to a full-on burn.

From actor Maulik Pancholy comes an incredibly charming, heartfelt middle grade debut about Rahul Kapoor, a gay Indian American boy coming into his own in a small town in the Midwest.

Rahul Kapoor is heading into seventh grade in a small town in Indiana. The start of middle school is making him feel increasingly anxious, so his favorite person in the whole world, his grandfather Bhai, gives him some well-meaning advice: Find one thing you’re really good at. And become the BEST at it.

Those four little words sear themselves into Rahul’s brain. While he’s not quite sure what that special thing is, he is convinced that once he finds it, bullies like Brent Mason will stop torturing him at school. And he won’t be worried about staring too long at his classmate Justin Emery. With his best friend, Chelsea, by his side, Rahul is ready to crush this challenge. . . . But what if he discovers he isn’t the best at anything?

Funny, charming, and incredibly touching, this is a story about friendship, family, and the courage it takes to live your truth.

Beyond the Gender Binary, spoken word poet Alok Vaid-Menon challenges the world to see gender not in black and white, but in full color. Taking from their own experiences as a gender-nonconforming artist, they show us that gender is a malleable and creative form of expression. The only limit is your imagination.

From the award-winning author of Marriage of a Thousand Lies comes a brilliantly written, globe-spanning novel about identity, faith, family, and sexuality.

In Tamil Nadu, India, a boy is born with blue skin. His father sets up an ashram, and the family makes a living off of the pilgrims who seek the child’s blessings and miracles, believing young Kalki to be the tenth human incarnation of the Hindu god Vishnu. In Kalki’s tenth year, he is confronted with three trials that will test his power and prove his divine status and, his father tells him, spread his fame worldwide. While he seems to pass them, Kalki begins to question his divinity.

Over the next decade, his family unravels, and every relationship he relied on—father, mother, aunt, uncle, cousin—starts falling apart. Traveling from India to the underground rock scene of New York City, Blue-Skinned Gods explores ethnic, gender, and sexual identities, and spans continents and faiths, in an expansive and heartfelt look at the need for belief in our globally interconnected world.

A beautiful children’s picture book that showcases a young Indian boy’s fascination with his mother’s bindi, the red dot commonly worn by Hindu women. Rather than chastise her son, she teaches him about its cultural significance and doesn’t flinch when he asks for one himself. Wearing it allows him to joyfully explore and express his difference.

A vibrant debut novel, set in Brooklyn and Bangladesh, Bright Lines follows three young women and one family struggling to make peace with secrets and their past.

For as long as she can remember, Ella has longed to feel at home. Orphaned as a child after her parents’ murder, and afflicted with hallucinations at dusk, she’s always felt more at ease in nature than with people. She traveled from Bangladesh to Brooklyn to live with the Saleems: her uncle Anwar, aunt Hashi, and their beautiful daughter, Charu, her complete opposite. One summer, when Ella returns home from college, she discovers Charu’s friend Maya—an Islamic cleric’s runaway daughter—asleep in her bedroom.

As the girls have a summer of clandestine adventure and sexual awakenings, Anwar—owner of a popular botanical apothecary—has his own secrets, threatening his thirty-year marriage. But when tragedy strikes, the Saleems find themselves blamed. To keep his family from unraveling, Anwar takes them on a fated trip to Bangladesh, to reckon with the past, their extended family, and each other.

To Daya Wijesinghe, a bruise is a mixture of comfort and control. Since her parents died in an accident she survived, bruises have become a way to keep her pain on the surface of her skin so she doesn’t need to deal with the ache deep in her heart.

So when chance and circumstances bring her to a roller derby bout, Daya is hooked. Yes, the rules are confusing and the sport seems to require the kind of teamwork and human interaction Daya generally avoids. But the opportunities to bruise are countless, and Daya realizes that if she’s going to keep her emotional pain at bay, she’ll need all the opportunities she can get.

The deeper Daya immerses herself into the world of roller derby, though, the more she realizes it’s not the simple physical pain-fest she was hoping for. Her rough-and-tumble teammates and their fans push her limits in ways she never imagined, bringing Daya to big truths about love, loss, strength, and healing.

Dev Deshpande has always believed in fairy tales. So it’s no wonder then that he’s spent his career crafting them on the long-running reality dating show Ever After. As the most successful producer in the franchise’s history, Dev always scripts the perfect love story for his contestants, even as his own love life crashes and burns. But then the show casts disgraced tech wunderkind Charlie Winshaw as its star.

Charlie is far from the romantic Prince Charming Ever After expects. He doesn’t believe in true love, and only agreed to the show as a last-ditch effort to rehabilitate his image. In front of the cameras, he’s a stiff, anxious mess with no idea how to date twenty women on national television. Behind the scenes, he’s cold, awkward, and emotionally closed-off.

As Dev fights to get Charlie to connect with the contestants on a whirlwind, worldwide tour, they begin to open up to each other, and Charlie realizes he has better chemistry with Dev than with any of his female co-stars. But even reality TV has a script, and in order to find to happily ever after, they’ll have to reconsider whose love story gets told.

In this witty and heartwarming romantic comedy—reminiscent of Red, White & Royal Blue and One to Watch—an awkward tech wunderkind on a reality dating show goes off-script when sparks fly with his producer.

Recently adapted into a stunning Netflix film, Cobalt Blue is a tale of rapturous love and fierce heartbreak told with tenderness and unsparing clarity. Brother and sister Tanay and Anuja both fall in love with the same man, an artist lodging in their family home in Pune, in western India. He seems like the perfect tenant, ready with the rent and happy to listen to their mother’s musings on the imminent collapse of Indian culture. But he’s also a man of mystery. He has no last name. He has no family, no friends, no history, and no plans for the future. When he runs away with Anuja, he overturns the family’s lives.

Translated from the Marathi by acclaimed novelist and critic Jerry Pinto, Sachin Kundalkar’s elegantly wrought and exquisitely spare novel explores the disruption of a traditional family by a free-spirited stranger in order to examine a generation in transition. Intimate, moving, sensual, and wry in its portrait of young love, Cobalt Blue is a frank and lyrical exploration of gay life in India that recalls the work of Edmund White and Alan Hollinghurst—of people living in emotional isolation, attempting to find long-term intimacy in relationships that until recently were barely conceivable to them.

On a cool evening in Kolkata, India, beneath a full moon, as the whirling rhythms of traveling musicians fill the night, college professor Alok encounters a mysterious stranger with a bizarre confession and an extraordinary story. Tantalized by the man’s unfinished tale, Alok will do anything to hear its completion. So Alok agrees, at the stranger’s behest, to transcribe a collection of battered notebooks, weathered parchments, and once-living skins.

From these documents spills the chronicle of a race of people at once more than human yet kin to beasts, ruled by instincts and desires blood-deep and ages-old. The tale features a rough wanderer in seventeenth-century Mughal India who finds himself irrevocably drawn to a defiant woman—and destined to be torn asunder by two clashing worlds. With every passing chapter of beauty and brutality, Alok’s interest in the stranger grows and evolves into something darker and more urgent.

Lambda Literary Award finalist

In 1996, poet Leah Lakshmi Piepzna-Samarasinha ran away from America with two backpacks and ended up in Canada, where she discovered queer anarchopunk love and revolution, yet remained haunted by the reasons she left home in the first place. This passionate and riveting memoir is a mixtape of dreams and nightmares, of immigration court lineups and queer South Asian dance nights; it reveals how a disabled queer woman of color and abuse survivor navigates the dirty river of the past and, as the subtitle suggests, “dreams her way home.”

Leah Lakshmi Piepzna-Samarasinha‘s poetry book Love Cake won a Lambda Literary Award.

A pun-filled YA contemporary romance, The Dos and Donuts of Love by Adiba Jaigirdar finds a teenage girl competing in a televised baking competition, with contestants including her ex-girlfriend and a potential new crush – perfect for fans of The Great British Bake Off and She Drives Me Crazy !

“Welcome to the first ever Junior Irish Baking Show!”

Shireen Malik is still reeling from the breakup with her ex-girlfriend, Chris, when she receives news that she’s been accepted as a contestant on a new televised baking competition show. This is Shireen’s dream come true! Because winning will not only mean prize money, but it will also bring some much-needed attention to You Drive Me Glazy, her parents’ beloved donut shop.

Things get complicated, though, because Chris is also a contestant on the show. Then there’s the very outgoing Niamh, a fellow contestant who is becoming fast friends with Shireen. Things are heating up between them, and not just in the kitchen.

As the competition intensifies , Shireen will have to ignore all these factors and more― including potential sabotage―if she wants a sweet victory!

A Children’s Book Council Young Adult Favorite of 2023!
A Children’s Book Council Librarian Favorite of 2023!

Four seasons, four sisters, and four swoon-worthy love stories come together in this multi-POV YA rom-com set on an island off the coast of the Pacific Northwest.

The Singh sisters grew up helping their father navigate the bustle of the Songbird Inn. Nestled on dreamy and drizzly Orcas Island in the Pacific Northwest, the inn’s always been warm and cozy and filled with interesting guests—the perfect home. But things are about to heat up now that the Songbird has been named the Most Romantic Inn in America.

Nidhi has everything planned out—until a storm brings a wayward tree crashing into her life one autumn . . . and along with it, an intriguing construction worker and a yearning for her motherland. Suddenly, she’s questioning everything she thought she wanted.

Avani can’t sit still. If she does, her grief for Pop, their dad’s late husband, will overwhelm her. So she keeps moving as much as she can, planning an elaborate Winter Ball in Pop’s memory. Until a blizzard traps her in a barn with the boy she accidentally stood up and has been actively avoiding ever since.

Sirisha loves seeing the world through her camera, but her shyness prevents her from stepping out from behind the lens. Talking to girls is such a struggle! When a pretty actress comes to the Songbird with her theater troupe, spring has sprung for Sirisha—if only she can find the words.

Rani is a hopeless romantic through and through. After gently nudging her sisters to open their hearts, she is convinced it’s finally her turn to find love. When two potential suitors float in on a summer breeze, Rani is swept up in grandeur to match her wildest Bollywood dreams. But which boy is the one she’s meant to be with?

Ultimately, the magic of the Songbird Inn leads the tight-knit Singh sisters to new passions and breathtaking kisses—and to unearth the truest versions of themselves.

Perfect for fans of Jenny Han’s To All the Boys I’ve Loved Before , this sparkling YA rom-com celebrates sisterhood, family, and the love all around us.

Romance is not for Tara. Embittered after a college fling, she vows to never fall in love again–especially since she believes there’s no future for same-sex love in her home in urban India. Then, one rain-drenched evening, an insane decision brings the bubbly Sameen into her life and everything changes. Sameen is beautiful, a breath of fresh air…and almost certainly straight. All Tara’s carefully built-up defences start to crumble, one after the other. But is this relationship doomed before it can even start?

Everyone likes Humaira “Hani” Khan—she’s easy going and one of the most popular girls at school. But when she comes out to her friends as bisexual, they invalidate her identity, saying she can’t be bi if she’s only dated guys. Panicked, Hani blurts out that she’s in a relationship…with a girl her friends absolutely hate—Ishita “Ishu” Dey. Ishu is the complete opposite of Hani. She’s an academic overachiever who hopes that becoming head girl will set her on the right track for college. But Ishita agrees to help Hani, if Hani will help her become more popular so that she stands a chance of being elected head girl.

Despite their mutually beneficial pact, they start developing real feelings for each other. But relationships are complicated, and some people will do anything to stop two Bengali girls from achieving happily ever after.

When Dimple Met Rishi meets Simon vs. the Homo Sapiens Agenda in this rom com about two teen girls with rival henna businesses.

When Nishat comes out to her parents, they say she can be anyone she wants—as long as she isn’t herself. Because Muslim girls aren’t lesbians. Nishat doesn’t want to hide who she is, but she also doesn’t want to lose her relationship with her family. And her life only gets harder once a childhood friend walks back into her life.

Flávia is beautiful and charismatic and Nishat falls for her instantly. But when a school competition invites students to create their own businesses, both Flávia and Nishat choose to do henna, even though Flávia is appropriating Nishat’s culture. Amidst sabotage and school stress, their lives get more tangled—but Nishat can’t quite get rid of her crush on Flávia, and realizes there might be more to her than she realized.

A queer hijabi Muslim immigrant survives her coming-of-age by drawing strength and hope from stories in the Quran in this daring, provocative, and radically hopeful memoir.

When fourteen-year-old Lamya H realizes she has a crush on her teacher–her female teacher–she covers up her attraction, an attraction she can’t yet name, by playing up her roles as overachiever and class clown. Born in South Asia, she moved to the Middle East at a young age and has spent years feeling out of place, like her own desires and dreams don’t matter, and it’s easier to hide in plain sight. To disappear. But one day in Quran class, she reads a passage about Maryam that changes everything: when Maryam learned that she was pregnant, she insisted no man had touched her. Could Maryam, uninterested in men, be . . . like Lamya?

From that moment on, Lamya makes sense of her struggles and triumphs by comparing her experiences with some of the most famous stories in the Quran. She juxtaposes her coming out with Musa liberating his people from the pharoah; asks if Allah, who is neither male nor female, might instead be nonbinary; and, drawing on the faith and hope Nuh needed to construct his ark, begins to build a life of her own–ultimately finding that the answer to her lifelong quest for community and belonging lies in owning her identity as a queer, devout Muslim immigrant.

This searingly intimate memoir in essays, spanning Lamya’s childhood to her arrival in the United States for college through early-adult life in New York City, tells a universal story of courage, trust, and love, celebrating what it means to be a seeker and an architect of one’s own life.

Poet and co-creator of the Emmy-nominated web series “Brown Girls” captures the experience of being a Pakistani Muslim woman in contemporary America, while exploring identity, violence, and healing.

In this powerful and imaginative debut poetry collection, Fatimah Asghar nakedly captures the experiences of being a young Pakistani Muslim woman in America by braiding together personal and marginalized people’s histories. After being orphaned as a young girl, Asghar grapples with coming-of-age as a woman without the guidance of a mother, questions of sexuality and race, and navigating a world that put a target on her back. Asghar’s poems at once bear anguish, joy, vulnerability, and compassion, while exploring the many facets of violence: how it persists within us, how it is inherited across generations, and how it manifests in our relationships with friends and family, and in our own understanding of identity. Using experimental forms and a mix of lyrical and brash language, Asghar confronts her own understanding of identity and place and belonging.

A trans artist explores how masculinity was imposed on her as a boy and continues to haunt her as a girl–and how we might re-imagine gender for the twenty-first century.

Vivek Shraya has reason to be afraid. Throughout her life she’s endured acts of cruelty and aggression for being too feminine as a boy and not feminine enough as a girl. In order to survive childhood, she had to learn to convincingly perform masculinity. As an adult, she makes daily compromises to steel herself against everything from verbal attacks to heartbreak.

With raw honesty, Shraya delivers an important record of the cumulative damage caused by misogyny, homophobia, and transphobia, releasing trauma from a body that has always refused to assimilate. I’m Afraid of Men is a journey from camouflage to a riot of color and a blueprint for how we might cherish all that makes us different and conquer all that makes us afraid.

Author of Empire of Sand and Realm of Ash Tasha Suri’s The Jasmine Throne, beginning a new trilogy set in a world inspired by the history and epics of India, in which a captive princess and a maidservant in possession of forbidden magic become unlikely allies on a dark journey to save their empire from the princess’s traitor brother.

Imprisoned by her dictator brother, Malini spends her days in isolation in the Hirana: an ancient temple that was once the source of the powerful, magical deathless waters — but is now little more than a decaying ruin.

Priya is a maidservant, one among several who make the treacherous journey to the top of the Hirana every night to clean Malini’s chambers. She is happy to be an anonymous drudge, so long as it keeps anyone from guessing the dangerous secret she hides.

But when Malini accidentally bears witness to Priya’s true nature, their destinies become irrevocably tangled. One is a vengeful princess seeking to depose her brother from his throne. The other is a priestess seeking to find her family. Together, they will change the fate of an empire.

“I was born on the full moon under an auspicious constellation, the holiest of positions—much good it did me.”

So begins Kaikeyi’s story. The only daughter of the kingdom of Kekaya, she is raised on tales about the might and benevolence of the gods: how they churned the vast ocean to obtain the nectar of immortality, how they vanquish evil and ensure the land of Bharat prospers, and how they offer powerful boons to the worthy. Yet she watches as her father unceremoniously banishes her mother, listens as her own worth is reduced to the marriage alliance she can secure. And when she calls upon the gods for help, they never seem to hear.

Desperate for independence, she turns to the texts she once read with her mother and discovers a magic that is hers alone. With it, Kaikeyi transforms herself from an overlooked princess into a warrior, diplomat, and most favored queen.

But as the evil from her childhood stories threatens the cosmic order, the path she has forged clashes with the destiny the gods have chosen for her family. And Kaikeyi must decide if resistance is worth the destruction it will wreak—and what legacy she intends to leave behind.

The unforgettable tale of a woman determined to leave her mark in a world gods and men dictate the shape of things to come. “Patel’s mesmerizing debut shines a brilliant light on the vilified queen from the Ramayana“

They were inseparable – until the day they jumped. Ruth, saved by safety nets, leaves the city. Kari, saved by a sewer, crawls back into the fray of the living. She writes ad copy for hair products and ill-fitting lingerie, falls for cats and roadside urchins, and the occasional adventuress in a restaurant. As Danger Chhori, her PVC-suit-clad alter ego, she unclogs sewers and observes the secret lives of people and fruit. And with Angel, Lazarus, and the girls of Crystal Palace forming the chorus to her song, she explores the dark heart of Smog City – loneliness, sewers, sleeper success, death – and the memory of her absentee Other. Sensuously illustrated and livened by wry commentaries on life and love, Kari gives a new voice to graphic fiction in India.

Perpetually awkward Nima Kumara-Clark is bored with her insular community of Bridgeton, in love with her straight girlfriend, and trying to move past her mother’s unexpected departure. After a bewildering encounter at a local festival, Nima finds herself suddenly immersed in the drag scene on the other side of town.

Macho drag kings, magical queens, new love interests, and surprising allies propel Nima both painfully and hilariously closer to a self she never knew she could be—one that can confidently express and accept love. But she’ll have to learn to accept lost love to get there.

Your wish is granted! This YA debut is equal parts broken-hearted love story, epic myth retelling, and a world-journey romp to find home.

Sy is a timid seventeen-year-old queer Indian-Muslim boy who placed all his bets at happiness on his boyfriend Farouk…who then left him to try and “fix the world.” Sy was too chicken to take the plunge and travel with him and is now stuck in a dead-end coffee shop job. All Sy can do is wish for another chance…. Although he never expects his wish to be granted.

When a mysterious girl slams into (and slides down, streaks of make-up in her wake) the front entrance of the coffee shop, Sy helps her up and on her way. But then the girl offers him three wishes in exchange for his help, and after proving she can grant at least one wish with a funds transfer of a million dollars into Sy’s pitifully struggling bank account, a whole new world of possibility opens up. Is she magic? Or just rich? And when his father kicks him out after he is outed, does Sy have the courage to make his way from L. A., across the Atlantic Ocean, to lands he’d never even dreamed he could ever visit? Led by his potentially otherworldly new friend, can he track down his missing Farouk for one last, desperate chance at rebuilding his life and re-finding love?

Seventeen-year-old Rukhsana Ali tries her hardest to live up to her conservative Muslim parents’ expectations, but lately she’s finding that harder and harder to do. She rolls her eyes instead of screaming when they blatantly favor her brother and she dresses conservatively at home, saving her crop tops and makeup for parties her parents don’t know about. Luckily, only a few more months stand between her carefully monitored life in Seattle and her new life at Caltech, where she can pursue her dream of becoming an engineer.

But when her parents catch her kissing her girlfriend Ariana, all of Rukhsana’s plans fall apart. Her parents are devastated; being gay may as well be a death sentence in the Bengali community. They immediately whisk Rukhsana off to Bangladesh, where she is thrown headfirst into a world of arranged marriages and tradition. Only through reading her grandmother’s old diary is Rukhsana able to gain some much needed perspective.

Rukhsana realizes she must find the courage to fight for her love, but can she do so without losing everyone and everything in her life?

Lucky and her husband, Krishna, are gay. They present an illusion of marital bliss to their conservative Sri Lankan–American families, while each dates on the side. It’s not ideal, but for Lucky, it seems to be working. She goes out dancing, she drinks a bit, she makes ends meet by doing digital art on commission. But when Lucky’s grandmother has a nasty fall, Lucky returns to her childhood home and unexpectedly reconnects with her former best friend and first lover, Nisha, who is preparing for her own arranged wedding with a man she’s never met.

As the connection between the two women is rekindled, Lucky tries to save Nisha from entering a marriage based on a lie. But does Nisha really want to be saved? And after a decade’s worth of lying, can Lucky break free of her own circumstances and build a new life? Is she willing to walk away from all that she values about her parents and community to live in a new truth? As Lucky—an outsider no matter what choices she makes—is pushed to the breaking point, Marriage of a Thousand Lies offers a vivid exploration of a life lived at a complex intersection of race, sexuality, and nationality. The result is a profoundly American debut novel shot through with humor and loss, a story of love, family, and the truths that define us all.

Preparations for King George the Third’s fiftieth birthday gala are in full swing in Lucknow. As poets and performers vie to be part of the show, Chapla Bai, a dazzling courtesan from Kashi, briefly enters this competitive world, and sweeps the poet Nafis Bai off her feet. An irresistible passion takes root, expanding and contracting like a wave of light. Over two summers, aided by Nafis’s friends, the poets Insha and Rangin, and Sharad, himself in love with a man, they exchange letters and verses, feeding each other the heady fruit of desire. When Chapla leaves for home, they part with the dream of building a life together. Can their relationship survive the distances?Narrated in the voice of Nafis, Memory of Light weaves an exquisite web of conversations, songs, reminiscences around a life-changing love.

From the acclaimed actor and Stonewall Honor–winning author of The Best at It, Maulik Pancholy, comes a new middle grade novel about a gay Indian American boy, the voice actor of a hit animated series, who learns the power of using his own voice after his family moves to a small town in Ohio.

Thirteen-year-old Nikhil Shah is the beloved voice actor for Raj Reddy on the hit animated series Raj Reddy in Outer Space. But being a star on TV doesn’t mean you have everything figured out behind the scenes. . . .

When his mom temporarily moves them to the small town in Ohio where she grew up to take care of Nikhil’s sick grandfather, Nikhil feels as out of orbit as his character.

Nikhil’s fame lands him the lead in the school musical, but he’s terrified that everyone will realize he’s a fraud once they find out he has stage fright. And when a group of conservative parents start to protest, making it clear they’re not happy with an openly gay TV star being in the starring role, Nikhil feels like his life would be easier if only he could be Raj Reddy full-time.

Then Nikhil wakes up one morning and hears a crack in his voice, which means his job playing Raj will have to come to an end. Life on earth is way more complicated than life on television. And some mysteries—like new friendships or a sick grandparent or finding the courage to speak out about what’s right—don’t wrap up neatly between commercial breaks.

A heartwarming and transporting romantic comedy about finding happy ever after on your own terms.

Heir to his father’s Mumbai business empire, Ved Mehra has money, looks, and status. He is also living as a closeted gay man. Thirty-eight, lonely, still reeling from a breakup, and under pressure from his exasperated mother, Ved agrees to an arranged marriage. He regrettably now faces a doomed future with the perfectly lovely Disha Kapoor.

Then Ved’s world is turned upside down when he meets Carlos Silva, an American on a business trip in India.

As preparations for his wedding get into full swing, Ved finds himself drawn into a relationship he could never have imagined―and ready to take a bold step. Ved is ready to embrace who he is and declare his true feelings regardless of family expectations and staunch traditions. But with his engagement party just days away, and with so much at risk, Ved will have to fight for what he wants―if it’s not too late to get it.

From the author of the prize-winning collection Quarantine, an insightful, compelling debut novel set in rural America and India in the 1980s and `90s, part coming-of-age story about a gay Indian American boy, part family saga about an immigrant family’s struggles each to find a sense of belonging, identity, and hope

In a rural community in Western New York, twelve-year-old Kiran Shah, the American-born son of Indian immigrants, longingly observes his prototypically American neighbors, the Bells. He attends school with Kelly Bell, but he’s powerfully drawn—in a way he does not yet understand—to her charismatic father, Chris.

Kiran’s yearnings echo his parents’ bewilderment as they try to adjust to a new world. His father, Nishit Shah, a successful doctor, is haunted by thoughts of the brother he left behind. His mother, Shanti, struggles to accept a life with a man she did not choose—her marriage to Nishit was arranged—and her growing attachment to an American man. Kiran is close to his older sister, Preeti—until an unexpected threat and an unfathomable betrayal drive a wedge between them that will reverberate through their lives.

As he leaves childhood behind, Kiran finds himself perpetually on the outside—as an Indian-American torn between two cultures, and as a gay man in a homophobic society. In the wake of an emotional breakdown, he travels to India, where he forms an intense bond with a teenage hijra, a member of India’s ancient transgender community. With her help, Kiran begins to pull together the pieces of his broken past.

Sweeping and emotionally complex, No Other World is a haunting meditation on love, belonging, and forgiveness that explores the line between our responsibilities to our families and to ourselves, the difficult choices we make, and the painful cost of claiming our true selves.

Lakshmi, a bright student who grew up in poverty, marries and immigrates to the United States from India to provide a better life for herself and her family. Clinging to her cultural realities, she forces her American daughter, Pooja, into an arranged marriage, creating a rift of resentment. Pooja’s daughter, Deepa, is an out lesbian to everyone but her family. The woman Deepa loves presents an ultimatum—come out to Pooja or break up—and Deepa is forced to confront her greatest fear.
 
Three generations of Indian and Indian-American women navigate the harsh slums of Chennai to the bustle of New York City, struggling through a cathartic generational collision to try to come together as a family.

Heaven is a thirty-year-old slum hidden between brand-new, high-rise apartment buildings and technology incubators in contemporary Bangalore. In this tight-knit community, five girls on the cusp of womanhood-a politically driven graffiti artist; a transgender Christian convert; a blind girl who loves to dance; and the queer daughter of a hijabi union leader-forge an unbreakable bond.

When the local government threatens to demolish their tin shacks in order to build a shopping mall, the girls and their mothers refuse to be erased. Together they wage war on the bulldozers sent to bury their homes, and, ultimately, on the city that wishes that families like them would remain hidden forever.

Elegant, poetic, and vibrant, A People’s History of Heaven takes a clear-eyed look at adversity and geography and dazzles in its depiction of love and female friendship.

A Kirkus Reviews’ Best Picture Book of 2020 I A 2021 Notable Social Studies Trade Book for Young People I A 2021 ALA A Feminist Book Project’s Top Ten Book I A 2021 South Asia Book Award Honor Book

Ayesha is excited to attend her cousin Ritu’s wedding. She can’t wait to dance at the baraat ceremony! But not everyone is happy that Ritu is marrying her girlfriend Chandni. Some have even vowed to stop the celebrations. Will Ayesha be able to save her cousin’s big day?
Centering Ayesha’s love for her cousin as much as it showcases Ritu and Chandni’s love for each other, this warmhearted debut from Ameya Narvankar celebrates the power of young voices to stand up against prejudice and bigotry.

Bloomington High School Lions’ star goalie, Sebastian Hughes, should be excited about his senior year: His teammates are amazing and he’s got a coach who doesn’t ask anyone to hide their sexuality. But when his estranged childhood best friend Emir Shah shows up to summer training camp, Sebastian realizes the team’s success may end up in the hands of the one guy who hates him. Determined to reconnect with Emir for the sake of the Lions, he sets out to regain Emir’s trust. But to Sebastian’s surprise, sweaty days on the pitch, wandering the town’s streets, and bonding on the weekends sparks more than just friendship between them.

High school nemeses fall in love in this queer YA rom com perfect for fans of Becky Albertalli and Casey McQuiston.

After losing spectacularly to her ex-girlfriend in their first game since their break up, Scottie Zajac gets into a fender bender with the worst possible person: her nemesis, the incredibly beautiful and incredibly mean Irene Abraham. Things only get worse when their nosey, do-gooder moms get involved and the girls are forced to carpool together until Irene’s car gets out of the shop.

Their bumpy start only gets bumpier the more time they spend together. But when an opportunity presents itself for Scottie to get back at her toxic ex (and climb her school’s social ladder at the same time), she bribes Irene into playing along. Hijinks, heartbreak, and gay fake-dating scheme for the ages. From author Kelly Quindlen comes a new laugh-out-loud romp through the ups and downs of teen romance.

Everyone talks about falling in love, but falling in friendship can be just as captivating. When Neela Devaki’s song is covered by internet-famous artist Rukmini, the two musicians meet and a transformative friendship begins. But as Rukmini’s star rises and Neela’s stagnates, jealousy and self-doubt creep in. With a single tweet, their friendship implodes, one career is destroyed, and the two women find themselves at the center of an internet firestorm.

Celebrated multidisciplinary artist Vivek Shraya’s second novel is a stirring examination of making art in the modern era, a love letter to brown women, an authentic glimpse into the music industry, and a nuanced exploration of the promise and peril of being seen.

Lost in the jungle of Los Angeles, Akash Amin is filled with shame. Shame for liking men. Shame for wanting to be a songwriter. Shame for not being like his perfect brother. Shame for his alcoholism. And most of all, shame for what happened with the first boy he ever loved. When his mother tells him she is selling the family home, Akash must return to Illinois to confront his demons and the painful memory of a sexual awakening that became a nightmare.

Akash’s mum, Renu, is also plagued by guilt. She had it all: doting husband, beautiful house, healthy sons. But as the one-year anniversary of her husband’s death approaches Renu can’t stop wondering if she chose the wrong life thirty-five years ago and should have stayed in London with her first love.

Together, Renu and Akash pack up the house, retreating further into the secrets that stand between them. When their pasts catch up to them, Renu and Akash must decide between the lives they left behind and the ones they’ve since created.

By turns irreverent and tender, filled with the beats of ’90s R&B, Tell Me How to Be is about our earliest betrayals and the cost of reconciliation. But most of all, it is the love story of a mother and son each trying to figure out how to be in the world.

Sana Khan is a cheerleader and a straight A student. She’s the classic (somewhat obnoxious) overachiever determined to win.

Rachel Recht is a wannabe director who’s obsesssed with movies and ready to make her own masterpiece. As she’s casting her senior film project, she knows she’s found the perfect lead – Sana.

There’s only one problem. Rachel hates Sana. Rachel was the first girl Sana ever asked out, but Rachel thought it was a cruel prank and has detested Sana ever since.

Told in alternative viewpoints and inspired by classic romantic comedies, this engaging and edgy YA novel follows two strong-willed young women falling for each other despite themselves.

A raw, unflinching memoir by a former US Marine Captain chronicling her journey from dutiful daughter of immigrants to radical activist effecting historic policy reform.

After a lifetime of buckling to the demands of her strict Indian parents, Anuradha Bhagwati abandons grad school in the Ivy League to join the Marines—the fiercest, most violent, most masculine branch of the military—determined to prove herself there in ways she couldn’t before.

Yet once training begins, Anuradha’s G.I. Jane fantasy is punctured. As a bisexual woman of color in the military, she faces underestimation at every stage, confronting misogyny, racism, sexual violence, and astonishing injustice perpetrated by those in power. Pushing herself beyond her limits, she also wrestles with what drove her to pursue such punishment in the first place.

Once her service concludes in 2004, Anuradha courageously vows to take to task the very leaders and traditions that cast such a dark cloud over her time in the Marines. Her efforts result in historic change, including the lifting of the ban on women from pursuing combat roles in the military.

A tale of heroic resilience grappling with the timely question of what, exactly, America stands for, Unbecoming is about one woman who learned to believe in herself in spite of everything. It is the kind of story that will light a fire beneath you, and inspire the next generation of indomitable female heroes.

Nandan’s got a plan to make his junior year perfect. He’s going to make sure all the parties are chill, he’s going to smooth things over with his ex, and he’s going to help his friend Dave get into the popular crowd—whether Dave wants to or not. The high school social scene might be complicated, but Nandan is sure he’s cracked the code.

Then, one night after a party, Dave and Nandan hook up, which was not part of the plan—especially because Nandan has never been into guys. Still, Dave’s cool, and Nandan’s willing to give it a shot, even if that means everyone starts to see him differently.

But while Dave takes to their new relationship with ease, Nandan’s completely out of his depth. And the more his anxiety grows about what his sexuality means for himself, his friends, and his social life, the more he wonders whether he can just take it all back. But is breaking up with the only person who’s ever really gotten him worth feeling “normal” again?

From Rahul Kanakia comes a raw and deeply felt story about rejecting labels, seeking connection, and finding yourself.

How do you find yourself when the world tells you that you don’t exist?

Samra Habib has spent most of their life searching for the safety to be themself. As an Ahmadi Muslim growing up in Pakistan, they faced regular threats from Islamic extremists who believed the small, dynamic sect to be blasphemous. From their parents, they internalized the lesson that revealing their identity could put them in grave danger.

When their family came to Canada as refugees, Samra encountered a whole new host of bullies, racism, the threat of poverty, and an arranged marriage. Backed into a corner, their need for a safe space–in which to grow and nurture their creative, feminist spirit–became dire. The men in Samra’s life wanted to police them, the women in their life had only shown them the example of pious obedience, and their body was a problem to be solved.

So begins an exploration of faith, art, love, and queer sexuality, a journey that takes them to the far reaches of the globe to uncover a truth that was within them all along. A triumphant memoir of forgiveness and family, both chosen and not, We Have Always Been Here is a rallying cry for anyone who has ever felt out of place and a testament to the power of fearlessly inhabiting one’s truest self.

Sunshine Girl needs math lessons…

Nineteen-year-old Tara Muvvala didn’t mean to lead a double life. But her bone-deep aversion to math + a soul-deep desire to please her mother = her failing math grade + exploding food vlog ‘this masala life’.

Enter her mother’s research intern and resident math genius Farah Ahmed. Tara makes a deal with Farah – help her pass the math course and she’ll welcome Farah into the local Bollywood Drama & Dance Society.

Grumpy girl gets life lessons…

After losing her mom to a heart attack, dumping her small-minded boyfriend (she’s bisexual, not confused) and reluctantly moving to the US to be near her dad – all in the span of eighteen months, twenty-three-year-old Farah has hit the full quota on LIFE. Two things keep her going – her internship with a brilliant statistics professor and the possibility of meeting her dancing idol through the Bollywood Drama & Dance Society. That is, if her new hot-mess housemate will let her.

Soon Tara and Farah are bonding over chicken biryani, dancing to Bollywood Beats at midnight and kissing… against all the odds. And maybe beginning to realize that while life’s even more complicated than math, love is the one variable that changes everything!

Will they realize that together they have the recipe for a Happily Ever After?

To everyone who knows them, best friends Miel and Sam are as strange as they are inseparable. Roses grow out of Miel’s wrist, and rumors say that she spilled out of a water tower when she was five. Sam is known for the moons he paints and hangs in the trees, and for how little anyone knows about his life before he and his mother moved to town. But as odd as everyone considers Miel and Sam, even they stay away from the Bonner girls, four beautiful sisters rumored to be witches. Now they want the roses that grow from Miel’s skin, convinced that their scent can make anyone fall in love. And they’re willing to use every secret Miel has fought to protect to make sure she gives them up.

An orphan grapples with gender, siblinghood, family, and coming-of-age as a Muslim in America in this lyrical debut novel from the acclaimed author of If They Come For Us

In this heartrending, lyrical debut work of fiction, Fatimah Asghar traces the intense bond of three orphaned siblings who, after their parents die, are left to raise one another. The youngest, Kausar, grapples with the incomprehensible loss of her parents as she also charts out her own understanding of gender; Aisha, the middle sister, spars with her crybaby younger sibling as she desperately tries to hold on to her sense of family in an impossible situation; and Noreen, the eldest, does her best in the role of sister-mother while also trying to create a life for herself, on her own terms.

As Kausar grows up, she must contend with the collision of her private and public worlds, and choose whether to remain in the life of love, sorrow, and codependency she’s known or carve out a new path for herself. When We Were Sisters tenderly examines the bonds and fractures of sisterhood, names the perils of being three Muslim American girls alone against the world, and ultimately illustrates how those who’ve lost everything might still make homes in each other.

In this electrifyingly fierce and funny social satire– a gender-flipped reboot of the iconic 1970’s film “Taxi Driver”–a ride share driver is barely holding it together on the hunt for love, dignity and financial security . . . until she decides she’s done waiting.

“A ferocious new voice. A fierce and immersive debut.”
–Weike Wang

Damani is tired. Her father just died on the job at a fast food joint, and now she lives paycheck to paycheck in a basement, caring for her mom and driving for an app that is constantly cutting her take. The city is roiling in protests –everybody’s in solidarity with somebody– but while she keeps hearing that they’re fighting for change on behalf of people like her, she literally can’t afford to pay attention.

Then she gives a ride to Jolene (5 stars, obviously). Jolene seems like she could be the perfect girlfriend – attentive, attractive, an ally – and their chemistry is off the charts. Jolene’s done the reading, she goes to every protest, and she says all the right things. So maybe Damani can look past the one thing that’s holding her back: She’s never dated anyone with money before, not to mention a white girl with money. But just as their romance intensifies and Damani finally lets her guard down, Jolene does something unforgivable, setting off an explosive chain of events.

A wild, one-sitting read brimming with dark comedy, and piercing social commentary and announcing Priya Guns’ feverishly original voice, Your Driver Is Waiting is a crackling send-up of our culture of modern alienation.

Zara’s family has waited years for their visa process to be finalized so that they can officially become US citizens. But it only takes one moment for that dream to come crashing down around them.

Seventeen-year-old Pakistani immigrant, Zara Hossain, has been leading a fairly typical life in Corpus Christi, Texas, since her family moved there for her father to work as a pediatrician. While dealing with the Islamophobia that she faces at school, Zara has to lay low, trying not to stir up any trouble and jeopardize their family’s dependent visa status while they await their green card approval, which has been in process for almost nine years.

But one day her tormentor, star football player Tyler Benson, takes things too far, leaving a threatening note in her locker, and gets suspended. As an act of revenge against her for speaking out, Tyler and his friends vandalize Zara’s house with racist graffiti, leading to a violent crime that puts Zara’s entire future at risk. Now she must pay the ultimate price and choose between fighting to stay in the only place she’s ever called home or losing the life she loves and everyone in it.

From the author of the “heart-wrenching yet hopeful” (Samira Ahmed) novel, The Love and Lies of Rukhsana Ali, comes a timely, intimate look at what it means to be an immigrant in America today, and the endurance of hope and faith in the face of hate.